07 April 2018 @ 09:56 pm
Quick thoughts on the Gurenzaka play  
I've been so overwhelmed with work recently that I've been away from my Mirage translating (subtitles are 75% done) but I finally received my copy of the Gurenzaka Blues play today and just finished watching it.

Considering that this is a condensation of 3 (?) books it's understandable that the story doesn't flow as well as the first two plays. The atmosphere of the entire play is relatively more intense but there isn't as good a buildup or a true climax in the story-telling IMO. What I'm really still thinking about is the cast this time round.

Among the new members of the cast, Kanegae Kou is far and away the MVP with his performance as Kousaka. His Kousaka is freaking brilliant. Period.

I like the new Minako (played by Onogawa) better. Imade plays a fine Minako but I wasn't convinced that she could play Kagetora well from her performance when she was possessed by the dragon god/Takeda spirits. Onogawa has a very strong presence as Minako, perhaps a bit stronger than I expected for the character, so I can somewhat imagine her as Kagetora. Also, she has very good chemistry with Tomita and I really enjoyed their scenes together.

Hiramaki Jin's Naoe is most certainly better than Aramaki's. That said, I don't think he hit all the notes as Naoe. I found his performance a little uneven. He's very good in certain scenes like Naoe's grief over the death of Kasahara's parents but I feel that he didn't quite capture Naoe's cold, scary facade of barely concealed jealousy. To give him some credit, his last scene with Tomita is splendid and I really felt that I was watching Kagetora and Naoe. 

The returning cast is great as usual. Tsukui is still my favorite besides Tomita. Hayashi also got a chance to shine as Ranmaru. His scene with Tomita is fantastic.

I feel like I'm starting to sound like a broken record when it comes to Tomita as Kagetora but the man is truly the heart and soul of the Shouwa plays. I love the way he can balance authority and vulnerability in his performance.
 
 
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labingi[personal profile] labingi on April 20th, 2018 05:21 am (UTC)
Thanks you sharing your thoughts. I just got my copy of the DVD, and as usual, I pretty much agree with what you said. I was not as wowed by Kousaka (I'm not going to try to get all the actors' names) as you were, but I did think he was a big improvement over the previous actor. I think I'm not 100% happy with the directing of the character, but the overall effect was much better this time around.

I completely agree with you about Hiramaki's Naoe. The last scene was fantastic. Some of his delivery, which reminded my of anime villain, was a little odd. One thing only I think Aramaki did better, and that's "normal" Naoe, putting on the social veneer of being polite and proper and reasonably friendly and so on. Now, in this play, there's a lot less chance for Naoe to wear that face; his ties to daily life as Kasahara have mostly been severed. But I do think it's characteristic of Naoe that his default social act is so very polished, and I missed that a little with Hiramaki. Overall, a definite improvement.

I agree with everything you said about Minako, and I agree that Tomita remains the heart and soul of the show. I do hope in the next play they get a bit more in sync with the Naoe-Kagetora chemistry. I think part of my difficulty in suspending my disbelief in many of their scenes was simply processing the change of actor, given how different the two are. I also agree that the play itself felt uneven because it was rushed. It's a shame Minako wasn't in the third play, because her relationship with Kagetora seemed to come a bit out of nowhere, though I agree their chemistry was great.

I'm stoked to hear you're finding time for Mirage translating. It must be so hard to fit in. I really admire you.
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