labingi: (Default)
labingi ([personal profile] labingi) wrote2025-09-30 09:04 pm

The Mabinogion Tetrology - Review, Rec, & Thoughts

I have just finished The Mabinogion Tetrology by Evangeline Walton, compiled novelizations of the Four Branches of the medieval Welsh Mabinogi. I highly recommend this work to fantasy fans who like tie-ins to traditional stories and don't mind a non-scholarly approach from a cultural outsider (Walton was American). It's a very "faithful" adaptation in that it takes virtually nothing out. The Four Branches themselves are just a few pages each, so Walton interpolates a lot, clearly from a 20th-century cultural standpoint (including idolization of "progress" and a surprising amount of Buddhism). One book was published in the 1930s, the others in the 1970s. The whole work is about 650 pages long, with the first three branches being novellas and the fourth a short novel.

Speaking as a cultural outsider and lay reader myself, I think she does this quite well. Specifically, I think she does good work with the First Branch (The Prince of Annwn), and the Second (The Children of Llyr) and Third (The Song of Rhiannon) are among the most engaging and rewarding works I've read in a very long time! The Fourth Branch (The Island of the Mighty, a.k.a. The Virgin and the Swine), which was the first she wrote, is hit and miss for me but still worth reading. The whole work is generally quite feminist; I have no doubt was a huge influence on The Mists of Avalon.Spoilery review follows...Read more... )
labingi: (Default)
labingi ([personal profile] labingi) wrote2025-09-30 07:16 pm
Entry tags:

I made a link!

I was trying to figure out how to create a link to a ticket site for our Ursula K. Le Guin Birthday Event. (Come on by if you're near Portland, Oregon!) And the very old program we use to post updates was baffling me. I kept clicking around all the many, many menu options for where to add a link.

Then, I uncovered a note that I could use "unfiltered HTML."

"Can it be," I wondered, "that I could just type in an actual HTML tag?"

And, lo, it worked!

The only reason I remember how to do this after 20 years is Dreamwidth, where I do this regularly (and nowhere else). Thank you, Dreamwidth!
labingi: (Default)
labingi ([personal profile] labingi) wrote2025-09-25 07:51 am
Entry tags:

Human Kindness!

7:45 am, and I have already been the recipient of human kindness. Asked the fellow at disability center if they could convert PDFs to Word for me so to spare me screen time during a chronic pain flare. He said the center doesn't do that, but he understands chronic pain & would do it personally. All my gratitude to this caring man!
labingi: (Default)
labingi ([personal profile] labingi) wrote2025-09-22 07:04 pm
Entry tags:

Happy Bilbo and Frodo's Birthday, 2025!

Happy Bilbo and Frodo's Birthday! (In the great crossover 'verse in my mind, Frodo is 96 this year, I think. My math is bad, but for reasons unlikely to become apparent right now, my reference point is he's 46 years older than me, so.)

In honor of this year's birthday, I thought I'd respond Tolkienesquely to a video I recently watched, LibraryofaViking's "What Modern Fantasy Gets Wrong (and why it matters)," which is interesting and nuanced, and, its clickbaity title notwithstanding, respectful toward fantasy old and new.



Specifically, I want to respond to the video's reference to R. F. Kuang's defense of fantasy (and SF?) being ideological. I have not seen/read her speech. I'm responding to this video's reference to it; folks familiar with the whole are welcome to add context. I gather that Kuang defends ideological fantasy against the common (often rightwing) critique that it's being ruined by being too "ideological" or "political" (i.e. "woke"). As characterized by LibraryofaViking, she argues that it is artistically valid to take an ideological stand and pursue it didactically in a genre novel.

The Problem I See with (Some) Modern "Ideological" SF&F

I agree ideological didacticism is valid (i.e. it should be publishable and socially allowable, and it can have good artistic quality—Jemisin, for me, is an example; I haven't read Kuang). Likewise, I agree the rightwing critique often has a subtext that the problem is not (entirely) being ideological but being leftwing. It's not just critiquing bad writing; it's critiquing values the critic doesn't agree with and casting this disagreement as a question of "writing quality." Side note: these aren't separate issues; values and artistic quality are entangled, but they are also not the same thing.

That said, as someone often annoyed by the didacticism of modern SF&F, for me, the problem is not that it's ideological; it's that it's simplistic. Read more... )